Igor: The Paris Years, one segment of a larger biographical program created for Channel 4 on the life and times of Igor Stravinsky, finds the brothers working in a slightly different vein than the one that would come to characterize their later work. This is the first section, which covers the pianist’s “French period” from roughly 1920-1939, and it details, among other things, his connection with Jean Cocteau (who, as a matter of fact, contributes voice work to this project). Filtered through gonzo and impressionistic puppetry (often bearing strong resemblance to the work of Terry Gilliam), the film takes an unconventional and often beautiful stab at the television biography special.

Pulcinella finds himself in New York and not Naples: from stockbroker to semi-naked banker in the midst of Wall Street. Actualization of Igor Stravinsky's ballet composed as a tribute to Italian music.

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This documentary is an informal portrait of the great modern composer Igor Stravinsky. Proudly American, though still very much an Old World figure with a long and alert memory for people and events in music, literature and art, Stravinsky is depicted here conducting the CBC Symphony Orchestra in a recording of his Symphony of Psalms.

The television film tells about specialists dealing with the environmental problems of Siberian rivers and searching for engineering solutions for new methods of log driving. It is also a film about the personal, deeply dramatic relationships of the characters.

TV movie version of the famous Prince Igor opera

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Based on eight years of continued prosperity, presidents and economists alike confidently predicted that America would soon enter a time when there would be no more poverty, no more depressions -- a "New Era" when everyone could be rich. But when reality finally struck, the consequences of such unbound optimism shocked the world.

This lavish, cinematic realisation of Stravinsky's neo-classic masterpiece, performed in English, is filmed both in studio and on location. The imaginative richness in the music is complemented by costumes and sets which are, by turn, exquisitely garish and darkly grotesque to intoxicating effect.

Under the baton of its founder François-Xavier Roth, the Les Siècles orchestra performs a program entirely devoted to Igor Stravinsky with The Firebird, Petrushka, and The Rite of Spring. For this concert at the Théâtre des Champs-Élysées, the musicians play on period instruments that reproduce as faithfully as possible the original sound of these three great ballets.